
Clinic content, Evansville + Columbus
Brand films
Long-form cinematic work, shot in the rooms you already work in.
Brand films, interviews, documentaries, and narrative pieces. The long stuff, made to be watched all the way through.
We scope every project on a discovery call and bill long-form work hourly, so you pay for the film you need and not a package built for someone else.
We shoot in the rooms you already work in. No studio, no set. We bring the light and the lens.
What you get

One shoot, more than one piece
A 30-minute, two-camera owner interview for Optimize U became a full piece for the clinic and a grand opening reel from the same footage. We plan the cutdowns before we roll.
Treatment launch
Shot, cut, and color graded in house.

Interview
A walk-and-talk with Dr. Derek Shelton of Optimize U. No desk, no backdrop. Just the morning walk and the questions.

Retail commercial
Staff on camera doing what they do every day, then a directed scene for the human moment. B-roll that builds trust, framed like a film.
How it works
A free discovery call, about 20 minutes. Goals, timeline, budget.
Deliverables, dates, and price in writing before anything gets shot.
We come to you. Gym floor, storefront, clinic, wherever the work happens.
Cut, graded, and ready to post, usually within 14 days.
How a brand film comes together
About 20 minutes, free. What the film is for, where it will live, who needs to see it, and what it has to make them feel or do.
Deliverables, shoot days, delivery date, and price, written down before anything is shot. Long-form work is scoped and billed hourly.
Before we roll, we decide which shorter pieces come out of the same footage: a social cut, a vertical teaser, a clip for the site. It changes how we shoot.
In your space, with our light. Interviews get two cameras so the edit can breathe. B-roll is shot with the story in mind, not as filler.
Cut, sound-mixed, and color graded in house. You see a draft, give notes, and get the final.
What makes it work
The best brand films we make are built around one person talking about the work they care about. The camera is there to make that easy to watch, not to cover it up.
We keep the crew small so the room stays calm. Most people relax after the first few questions, and that's usually where the good answers start.
FAQ
As long as it needs to be watched to the end. For a website or a pitch, that's often two to four minutes. Social cuts are shorter and get made from the same footage.
Usually not. We plan the questions and the shots. For interviews, unscripted answers sound like you. For narrative pieces we write it together first.
Depends on the scope. A single interview with b-roll can fit in half a day. We put shoot days in the scope so your schedule is set before we arrive.
Usually within 14 days of the shoot, with the date in writing before we roll.